" 創(chuàng)作靈感源于對(duì)數(shù)學(xué)幾何圖形的感應(yīng)，受圖形藝術(shù)家埃舍爾的影響，在平面設(shè)計(jì)中不遵循透視原理，利用視覺對(duì)光影的感知，雖然整個(gè)紋樣是平面的，但它暗示了一個(gè)三維物體，呈現(xiàn)出的是一個(gè)相對(duì)抽象的世界。突破傳統(tǒng)工藝，使用雙股人造棉，使面料更加厚重，適用于沙發(fā)面料；經(jīng)緯線交織，形成有節(jié)奏的三角圖案，不僅帶來強(qiáng)烈的延伸感和張力，更可把室內(nèi)空間襯托的富于動(dòng)感。 Inspired by the mathematical geometry. Influenced by the graphic artist Escher, do not follow the perspective principle in the graphic design, but use the perception of light and shadow. Although the whole pattern is flat, it implies a three-dimensional object which presents a relatively abstract world. Breaking through the traditional craftsmanship, using double-strand rayon to make the fabric thicker, which is suitable for sofa fabrics. The warp and weft threads are intertwined to form a rhythmic triangle pattern, which not only brings a strong sense of extension and tension, but also makes the interior space vibrant."